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Latest Articles By Bhuvan Lall
Why Should We Bring Up Oppenheimer Now?
Oppenheimer, Christopher Nolan's latest cinematic masterpiece, delves into the complexities of nuclear power and its implications for humanity's future
Read MoreThe Spectacular Cinematic Dreams Of Saudi Arabia
With two-thirds of the Saudi Arabian population being under 35 years of age, the nation has already become one of the biggest markets in the GCC and MENA region
Read MoreThe Remarkable Indian-American Dreamers
The success of the Indian Americans is an amazing coming-of-age story. And the events of the past few weeks for the Indian Americans have been dramatic, to say the least
Read MoreCannes Film Festival: Indian Filmdom’s Annual Carnival
Almost two hundred Indian filmmakers, stars, producers and distributors make the yearly trip aiming to crack new deals and sign off co productions agreements.
Read MoreThe Razzle-Dazzle Of CANNES 2019
What's trending amidst the glitz and glamour of this year's Cannes Film Festival 2019
Read MoreCannes 2018: From 'Sir' To 'Manto', A Sneak-Peak Of Indian Presence
The emerging box office market leader of the world is China and still with smartphone penetration increasing rapidly across India we can be the global winner in the monetization of digital content
Read MoreIndian Locations Star In International Films
As much as Indian audiences like our stars singing and dancing in exotic foreign locations, for years international audiences yearning to travel to India get to see our country on the silver screen on a regular basis
Read MoreThe Indian Magic At Cannes
For the past 25 years, the world has not had the opportunity to see any Indian film at Cannes in the Competition section
Read MoreIt’s Showtime In Saudi Arabia
‘Black Panther’, the US$ 1.2 billion blockbuster will open the first AMC-branded 620 seats theater on April 18 in Riyadh. It is estimated that the Saudi Arabian theatre market could generate up to $1 billion at the box office by 2023
Read MoreA Kodak Moment Or Is It End Of The World For Celluloid
To reverse the flow of digital technology in the cinematic sector is a lost cause more driven by emotion than by science, commerce and sadly even art
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